contact – Onespace

4/349 Montague Road

West End Q

Australia 4101

+61 7 3846 0642

info@onespacegallery.com.au

Exhibition Hours

Tuesday to Friday: 10am – 6pm

Saturday: 11am – 5pm

By appointment

onespacegallery

contemporary artists | valuable ideas
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Optimistically Omnivorous (Curator: Martin Smith)

No plans on this rainy Brisbane day? Pop down to t

No plans on this rainy Brisbane day? Pop down to the gallery to view our recent photography group show ‘Optimistically Omnivorous’ curated by Martin Smith.

We are open Tuesday to Friday from 10am - 6pm and Saturday from 11am - 5pm. ⚡️✨

Onespace congratulates the Queensland Museum on th

Onespace congratulates the Queensland Museum on their launch of the work of Elisa Jane Carmichael in the exhibition Threads . ‘In this exhibition, Elisa demonstrates how her arts practice creates threads that gives us a pathway to creating awareness about the depth of First Nation’s Peoples textile making in Australia and symbolic of interwoven, intergenerational knowledge.’ The exhibition also includes the stunning collaborative artwork Jalo Boma (after the burn) tears from the sea (2019) between Sonja Carmichael and Elisa Jane Carmichael.⠀
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Phil Brown states in his latest article on the exhibition within the Courier Mail:⠀
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'At a time when we are rethinking our colonial past, acclaimed Quandamooka artist Elisa Jane Carmichael is putting everything in context by drawing on millennia of weaving traditions to present a collection of hand-woven sculptural dresses and artworks.'⠀
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The Exhibition is on show from 15 June 2020 to 22 February 2021. Timed bookings are essential and can be completed online. Level 2 Exhibition Space.⠀
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Artwork: Elisa Jane Carmichael, Weaving: past, present, future, 2016 Ungaire, jersey, twine, ghostnet and digital printed materials. Image: Courtesy of Queensland Museum. Photographer: Peter Waddington, Courtesy of Queensland Museum.

We’re so delighted to be back in our gallery! We

We’re so delighted to be back in our gallery! Well, almost back.⠀
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The Queensland Premier and Queensland Government Chief Medical Officer recently announced that a range of public venues, previously closed to stem the spread of coronavirus, could now re-open with certain restrictions. Galleries such as Onespace are one of those venues. Stage 2 eased restrictions came into effect at 12 noon on Monday 1 June 2020 and venues covered by an industry COVID Safe plan will be able to access additional easing of restriction from 5 June 2020.⠀ ⠀
Onespace will now re-open its exhibition spaces and will operate under the following Stage 2 arrangements for ‘museums, art galleries and historic sites’. Upon arrival you will receive:
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• a warm welcome and a free copy of the room brochure about the exhibition⠀
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• a maximum of 15 people attending at any one time (please note that staff are not included) ⠀
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• a plan to manage entries and exits to reduce crowding, and ensure the venue is well ventilated⠀
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• general social distancing guidelines observed and seating arrangements spaced to ensure appropriate social distancing (however members of the same household may sit together) ⠀
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• good hygiene and sanitising practices throughout the gallery⠀
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• and a dated schedule at the front desk where we encourage visitors to leave their name and email address.⠀
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Staff are also available by email and telephone during usual business hours and by appointment. Please contact us on 07 3846 0642 or email on info@onespacegallery.com.au to arrange a time. We will keep you up to date on our artists’ works and activities and our exhibition planning via our website, Instagram and Facebook accounts. ⠀ ⠀
Thank you for your ongoing support and patience as we re-emerge from the former COVID-19 restrictions.⠀ ⠀
—The Onespace Team.⠀
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L to R: Tamika Grant-Iramu, Jodie Cox, John Stafford, Alicia Hollier, Taylor Hall.
Image: Louis Lim.

Onespace Gallery stands with our represented First

Onespace Gallery stands with our represented First Nations artists and people of colour globally as we collectively seek to eliminate the systemic injustices imposed upon them. ⠀
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As collaborators, it is our job to listen to the voices of Indigenous artists and colleagues and remain conscious of their intrinsic contribution to our industry and society. We all have a responsibility to listen, to act, to educate. We need to stand together to reject all inequalities imposed on our Aboriginal and Torres Strait Islander communities.⠀
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We recognise and respect the Traditional Custodians of the lands, winds and waters on which our gallery stands. We express our faith that Australia can, and will change.⠀
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- The Onespace Team

#blacklivesmatter

RSVP via link in our bio 🔺🔺 Optimistically O

RSVP via link in our bio 🔺🔺 Optimistically Omnivorous is a small yet potent survey exhibition of photographic artists who were either born in or later moved to, and are influenced by or critical of, the locale of Queensland. This exhibition is part of Onespace Gallery’s ongoing commitment to the photographic community of Queensland. It seeks to present new work from diverse voices on a unique place. With a line-up of established and several impressive emerging artists, Optimistically Omnivorous includes works by Cara Coombe, Peter Fischmann, Teresa Fornataro, Julia Scott Green, Christopher Handran and James Hornsby.⠀
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We are delighted to have the opportunity to invite a smaller number of guests to our new space to explore the exhibition and hear more about the artists and their works. We will be offering refreshments as part of each hourly session. Unfortunately spaces will be limited, so RSVPs will be taken until capacity is reach for each session. Link via bio. ⠀
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Image:James Hornsby, Don’t get your hopes up, 2019, Digital UV print on acrylic, AP + Edition of 1, 120 x 90cm. ⠀
Image: Courtesy of the artist and Onespace Gallery.

#blackouttuesday

#blackouttuesday

A fabulous time lapse of artist Fintan Magee creat

A fabulous time lapse of artist Fintan Magee creating his recent ‘Potplant Series.’ 🌱

Works from this poignant series are still available via our website or by contacting the gallery on info@onespacegallery.com.au —————————————————————— Repost from @fintan_magee : ‘Colouring with @selinamiles’

We are delighted that work by represented artists

We are delighted that work by represented artists Sonja Carmichael and Elisa Jane Carmichael has been featured on the front and back covers of Art Guide Australia’s May/June 2020 issue. ⠀⠀
Jalo Boma (After the Burn) Tears from the Sea, 2019 (front cover) is a mother and daughter collaborative piece, which speaks of the artists’ interconnected techniques and intergenerational continuity. Through the combination of traditional fibres (ungaire) and reclaimed ghost net materials, the artists are fusing past, present and future. Writing about this work in 2019, Sally Butler suggests:⠀ ⠀⠀
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‘Jalo Boma (After the Burn) Tears from the Sea, 2019, is a woven sculpture combining ungaire (water reeds) used in traditional weaving along with the ‘ghostnet’ fibres, which are retrieved marine debris fishing line that pollute Minjerribah’s coastal waters. The merging of these two fibres symbolises weaving practices as nurturing and healing. Connecting both kinds of fibres is an expression of caring for country and maintaining links with inherited responsibilities for the wellbeing of people and place. The sculpture’s two pieces merge through the cascading iridescent red emperor fish scales that suggest the dynamic sparkle of life in Quandamooka saltwater country.’ ⠀⠀
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— Sally Butler (Essay excerpt from ‘Taking cultural heritage personally’) ——————————————————————⠀
Featured artwork detail (front cover): Jalo Boma (after the burn) tears from the sea, 2019, Ungaire, ghost net, discarded wire, silk covered wire, synthetic fibres, fishing line, discarded plastics, fish scales, Lomandra and raffia, hanging vessel: 122cm x 40cm diameter, lower basket: 13cm x 40cm diameter.

Here at Onespace we are very excited to be digital

Here at Onespace we are very excited to be digitally ‘showing’ a selection of works from Fintan Magee’s latest ‘Potplant’ series. Make sure to view all works via our website, and to follow the series’ progress on @fintan_magee’s Instagram page.⠀
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‘These works have been created in my studio during the Covid lockdowns. My inability to work with models or organise photoshoots during this period forced me to experiment with different subject matter. I came up with the concept of painting the same two potplants everyday for the entirety of the lockdowns. With each piece representing a day in isolation. My work is about story telling and my plan is create a narrative around me keeping these plants alive during isolation. Each work has also become like a meditation, the repetition of image and subject matter has allowed me to step away from building a concept for each piece and focus purely on the act of painting. This process means that each work becomes a 5-7 hour meditation. Helping my mental health during isolation while allowing me to tell a story of the human condition during the mundane reality of quarantine.’⠀
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— Fintan Magee⠀
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Images: Courtesy of the artist.⠀
Artwork: Potplant (Left to right, series number: 12, 13, 11, 14) 2020, Acrylic and oil on canvas, 55 x 50cm.

Onespace Gallery presents 𝘀𝘁𝘂𝗱𝗶𝗼

Onespace Gallery presents 𝘀𝘁𝘂𝗱𝗶𝗼𝘀𝗽𝗮𝗰𝗲, our new online platform bringing studio updates, artist talks and much more for you to enjoy from the comfort of your own home. ⠀
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Take a peek at recently released content via our website, and make sure to stay updated on more exciting ‘studiospace’ releases to come!

⠀ Onespace gallery is proud to present one of ou

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Onespace gallery is proud to present one of our most recently represented artists, Dan Elborne. Through Recent Works, Elborne highlights his unique practice and exceptional use of the ceramic medium. Conscious of the historical and metaphorical potency of ceramics, Elborne utilises the inherent transformational capability of his chosen material to address sensitive topics and instances of profound personal resonance and affect.⠀
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Elborne elaborates on his practice, “I hope my work speaks of the delicate nature of life, alongside concepts of resilience and legacy, while also continuing an ongoing investigation of visually representing commemorative practices, reverence, preservation and memory.”⠀
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Image: Louis Lim. ⠀
Artwork: Dan Elborne, Remains: Series 3.6, 2020, Porcelain coated animal bone, tin glaze and gold lustre, 11 pieces⠀

FROM THE ONESPACE STOCKROOM we have Sebastian Di M

FROM THE ONESPACE STOCKROOM we have Sebastian Di Mauro’s ‘Cirrus I’ from our past exhibition ‘Public Aspirations: small sculptures/big ideas.’⠀
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‘I have created a potential public artwork titled Cirrus. The abstract organic form alludes to an animal or plant or both. A hybrid form that has been dug up from the earth or deposited by a flood or a rising tide. The artwork consists of two identical forms ‘Entwined’. They are cast from the same pattern.’ – Sebastian Di Mauro ⠀
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The exploration of the sculptural potential of the everyday is key to Di Mauro’s practice. Di Mauro’s ongoing interest in alchemical associations and properties of various metals, finds a new form in his most recent series, the Cirrus Suite. These aluminum forms are the offspring of a marriage between Di Mauro’s well-known Astroturf sculptures and large aluminum works for the public domain. Simultaneously plant, grub and animal-like, works in the Cirrus Suite also exude an industrial flavour with their high-gloss, chameleon finish seemingly borrowed from auto plant workshops. Like many of Di Mauro’s sculptures, these new works are ambiguous forms with myriad associations that encourage the viewer to consider evolution, the environment, and the relationship between humankind and nature.⠀
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– Simone Jones (Catalogue Essay) ⠀
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Artwork: Sebastian Di Mauro, 'Cirrus I', 2010⠀
Cast aluminum, harlequin (green) paint⠀
10 x 30 x 23cm, 2 pieces.⠀
Photo: Mick Richards

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